我時常想像另類感知時間的形式，
當人們走進森林和山岳，看見的樹木、石頭及河流，
它們之於時間的關係/經驗皆與人類相異，這激發了想用作品來闡述它們在不時間、季節
中獨特的樣貌，將時間視為材料進行編織，彙集植物世界裡的光影與聲音， 營造一個能
藉由植物來引導、進行精神對話的空間。
「影之聲」 作品完成於2024年日本Arts Itoya駐村期間，其影像與環境音皆取材自佐賀縣不
同的神社和山野。
I often imagine alternative ways of perceiving time. When people go into forests and mountains,
the trees, stones, and rivers experience time differently from humans. This inspires me to depict
their unique aspect across different times and seasons, using "time" as a material to weave
together the light, shadows, and sounds of the plant world, creating a space for spiritual dialogue
guided by plants.
"Song of Shadows" was published during my residency at Arts Itoya in Japan in 2024. The images
and environmental sounds were sourced from various shrines and mountains in Saga Prefecture.
它們之於時間的關係/經驗皆與人類相異，這激發了想用作品來闡述它們在不時間、季節
中獨特的樣貌，將時間視為材料進行編織，彙集植物世界裡的光影與聲音， 營造一個能
藉由植物來引導、進行精神對話的空間。
「影之聲」 作品完成於2024年日本Arts Itoya駐村期間，其影像與環境音皆取材自佐賀縣不
同的神社和山野。
I often imagine alternative ways of perceiving time. When people go into forests and mountains,
the trees, stones, and rivers experience time differently from humans. This inspires me to depict
their unique aspect across different times and seasons, using "time" as a material to weave
together the light, shadows, and sounds of the plant world, creating a space for spiritual dialogue
guided by plants.
"Song of Shadows" was published during my residency at Arts Itoya in Japan in 2024. The images
and environmental sounds were sourced from various shrines and mountains in Saga Prefecture.
